Rebecca Taylor’s F/W 2012 collection was made for that cool and mysterious girl walking the streets of Paris. It seems like celeb attendee and it girl Zoe Kravitz, who happens to embody effortless chic, was the exact girl the designer had in mind.

Author Archives: Carly Nelson
Kate Spade’s Fall/Winter 2012 collection had lots of bright colors and Parisian inspired prints. I thought the polka dot nails the models sported were by far the cutest accessory. Manicurist, Deborah Lippmann was responsible for the models polka dotted nails (very Kate Spade) and was decked out in her own nail design confirming that nail art is here to stay.

The hair and makeup for the Elie Tahari fall 2011 show was soft and innocent, and I couldn’t help but want to emulate it myself!
Esther Langham was the lead for Moroccan Oil, and she set out to create a clean and sleek ponytail. She began by dabbing the hair with a cocktail of Moroccanoil treatments mixed in with about a quarter size amount of Hydrating Style Cream, and rubbing into hair from roots to ends. Then, she blow dried with a paddle brush to get hair nice and flat, and used a large, round brush to smooth the ends.
All of the models wore a center part, hair was finger combed down so that it wouldn’t be too severe, and finally secured with a hair tie as low as possible. Some of the models had hair wrapped around the face of their ponytails, and others wore leather hair bands or pretty lace and feather hair accessories. Before they went out on the runway, hair was spritzed with Glimmer Shine Spray.
Kimberly Soane from Bobbi Brown was the lead on makeup, and she wanted to create a very wide-eyed, pretty girl look that was almost “youthful Victorian nymph-like.”

I absolutely loved the look at the Lela Rose Fall 2011 show. Sarah Lucero from Stila was the lead on makeup, and she said the look was a “sultry, sexy siren with a vintage, old Hollywood feeling.” She used Stila’s Long Wear Lip Color in “daring” to get a powerful lip. She applied “gladiola,” a bright coral hue on the high plane of cheeks, to create an art deco feeling. The eyes were meant to be “really dreamy and hazy” with lots of beiges and a rosy shade in a heavy contour underneath. She wanted the lashes to be long and fluttery.
The key element for this look was the skin—to even out under eye circles and redness, all the models used Clarisonic’s sonic skin cleansing system, which cleanses the skin 2 times better than manual cleansing. The brush oscillates against the skin to remove dirt from pores, and it lets all products that go on skin absorb more evenly. Models also used Clarisonic Opal Serum around the eyes to brighten and hydrate that area. I want to go out and buy these treatments pronto!
Deborah Lippmann provided the nails, and the color that all the models sported was a deep green shade called “billionaire.” Since the hair and makeup was so glam, this very wearable and earthy color was a nice contrast.
Devin Toth of the Ted Gibson Salon was the lead on hair, and in keeping with the old Hollywood theme, he created a strong side part with Tame It Shine Lotion. He then curled the right side of hair, freshened the wave out, and shaped it into a strong “s” wave. He used Beautiful Hold Hair Spray to help set the wave. The look is slightly different from regular Hollywood glam because the s wave is not as soft; it’s more severe and large, exaggerated French bobby pins were left in the models’ hair for the runway. To complete the look, he pulled hair into a low ponytail.












